Showing posts with label Books. Show all posts
Showing posts with label Books. Show all posts

Wednesday, June 15, 2011

Embracing the Human Condition

Since June 4th, the blogosphere and twitterverse have been teeming with authors and teens in arms against Meghan Cox Gurdon's "review" of YA fiction in the WSJ.  Her piece is rife with manipulative little tidbits from concerned mothers who worry that fiction will encourage deviant or self-destructive behavior in their impressionable children.  Gurdon takes a paper-thin view and paints it with a broad brush.

A large part of the outcry against her article has responded to Gurdon's argument that "books focusing on pathologies help normalize them and, in the case of self-harm, may even spread their plausibility and likelihood to young people who might otherwise never have imagined such extreme measures."  Yes, it's the old the book made me do it ruse.  Several authors spoke out about the lunacy of this assertion, none so eloquently as Sherman Alexie.  The primary point of his response is the cathartic, re-affirming value of dark YA literature that offers kids in dire situations a sense of salvation.  "They read because they live in an often-terrible world. They read because they believe, despite the callow protestations of certain adults, that books-especially the dark and dangerous ones-will save them."


Grace Troxel echoes that sentiment in her blog and defends dark YA literature for its ability to "contextualize" the difficult issues that teens already face and often feel they are fighting alone.  She further argues that these novels create a dialogue where for years there has been none.  And it's that very lack of dialogue that is most dangerous to our children.  


Still others, like Becky Levine, stand up against the ridiculous suggestion that the industry is trying to "bulldoze coarseness and misery" into the lives of our teens while a swarm of tweeters exclaim "#yasaves" and continue to slap back Gurdon's elitist "gatekeeping censorship" disguised as the ever-popular and totally condescending concern for the greater good.  I won't get into the question of parental guidance here, but suffice it to say I am an involved parent.


For the most part, much of the conversation I have read so far has focused on the value of YA to change the lives of teenagers who have experienced the worst of this world or the ability YA literature has to contextualize situations and start a dialogue for disenfranchised or marginalized adolescents.  All of this is valid and important.  But there is an even more crucial idea under attack here:  The human condition.  Sherman Alexie touches on it:


When some cultural critics fret about the “ever-more-appalling” YA books, they aren’t trying to protect African-American teens forced to walk through metal detectors on their way into school. Or Mexican-American teens enduring the culturally schizophrenic life of being American citizens and the children of illegal immigrants. Or Native American teens growing up on Third World reservations. Or poor white kids trying to survive the meth-hazed trailer parks. They aren’t trying to protect the poor from poverty. Or victims from rapists.

No, they are simply trying to protect their privileged notions of what literature is and should be. They are trying to protect privileged children. Or the seemingly privileged.



I think about my own son, a white, middle-class teenager who has faced some upheaval and disappointment along with the typical angst of adolescence, but nothing like addiction, rape, poverty, or mental illness.  Does that mean he should never read anything that deals with such harsh subjects? What do books like Speak or The Absolutely True Diary of a Part-Time Indian or Scars have to offer my son?  The same thing that the Harry Potter books or the Percy Jackson series or any number of zombie books that he has read offers.  A look at the human condition.  We are flawed.  We have fears.  We make mistakes.  We get betrayed and hurt and life gets messy.  And some kids have been subjected to as many horrors as adults, perhaps even more.  But we pick ourselves up from whatever our circumstance and choose how to respond.  The majority of kids (a hopeful estimation) may never know such dire circumstances as those in some of the books they read, but for most kids (even the privileged), adolescence feels like a battleground where the choices they make have far more complex and far-reaching consequences and reinforcements don't always arrive on time. At least they can go through the paces and explore those questions through the pages of a book where the monsters are only ink and shadows and the kids are ultimately heroes.  


It is a hard lesson to learn that the world is not a warm lap and tender kisses and sunshine all around, but adolescence is for finding yourself as well as learning how to deal with the realities of this world. My son is not about to go cut himself or smoke crack because he read about it in a book, no matter how devastated he was by recent personal events.  But he may understand a classmate's behavior a little more. He may develop a stronger sense of relativity and compassion.  He may find a strength he never knew before.  He will have an even better sense of what it means to be human.  And he will choose what he becomes.  


While I would like to protect my children from all the ugliness in the world, I would do them far more harm if I pretended it didn't exist.  





Friday, February 18, 2011

Drawing conclusions... and a contest!

Check out the interview with Ruth McNally Barshaw, author/illustrator of the ELLIE MCDOODLE series for young readers, over on the MIXED UP FILES OF MIDDLE-GRADE AUTHORS blog.

Sketches and doodles are a fun trend in MG books, and one that my kids can really relate to. Ghost Daughter comes home everyday with a notebook full of adventures and commentary. I can hardly keep the kid in paper!

Thursday, February 11, 2010

Now what about libraries?

Here we go kids.  The great debate over the future of the traditional library vs. the digital library has taken off in the "pages" of the New York Times. Several interesting people weighing in on the topic. What do you think?

Sunday, February 07, 2010

Clouds in my Coffee...

Sing it, Carly —"You're so vain..."

The last few weeks have brought a hailstorm of controversy regarding ebooks and the future of traditional publishing, and more than a few writers, publishers, and agents weighed in with their take on the situation. And of course Steve Jobs had to add his inadvertent 2 cents by releasing a shiny new iPad stacked with a whole now ebook eden called the iBook Store. Worries about the whole digital takeover are nothing new, but they do seem to be gaining affirmation daily. We can talk about this as a revolution, an evolution, an opportunity, an awakening—whatever it takes to put a positive spin on things (not that a positive spin is wrong). But there are a host of old-timers who will cling to their paper-, cloth-, or leather-bound books until the cyber-police pry them from their cold, dead hands. But I'm not going to ask if the death knell for traditional books has been sounded. I'm not going to speculate on how long our dear pile of tangible pages has left in this world. It's all just a matter of time and technology anyway. No, what is pressing hard on my guts right now is more than books;  it's the atmosphere, the community, the metaphysical vibe that sustains my cultural angst. That's right, I'm talking about the fate of the physical bookstore/café.

What's all the kerfuffle? I think Scott Westerfield offered a brilliant summary of the the whole Amazon/MacMillan clash in his blog. Frankly, I'm behind MacMillan on this one, and not just because I'm a writer. It's not about panic or unfair wages at the moment, it's about the future. And who isn't looking towards the future, especially now?

Which brings me to my main point: the future of my beloved local literary community, aka the bookstore.  Anyone who knows me knows what a rough year 2009 was.  You also know that I have moved to the "armpit of the South" where the word culture refers to that crust of black mold in your bathroom drain and nothing more.  When I was in Pennsylvania, I relished my hours at my  local Barnes & Nobles or  Borders Book Store.  These were meccas, holy places of meditation and inspiration, not to mention 15 million-calorie coffee drinks.  Some days I would just go and peruse the shelves, whether I bought anything or not.  Just being among books, surrounding by them, steeped in their hot-of-the-press scent somehow brought both a sense of peace and a powerful invigoration. I'd park myself on the floor next to the YA book stacks and pluck a few things off the shelf and pore over them for a couple of hours.  Ahhhh...at least once in a while I can drive the hour and a half to Tallahassee to partake.

Often I would meet friends there where we would scour the "new in paperback" shelves or check out the latest toys for bibliophiles.  We'd grab a cup of hot frothy liquid sin and gab about whatever topic floated up out of the stacks around us.  Sometimes it was personal trials, sometimes it was questions about writing.  The best part was the eavesdropping.  Oh, admit it.  Everybody does it.  We'd catch a snippet of a conversation and couldn't help but get caught up in the topic ourselves.  Or maybe it was research for my latest book.  A character study, perhaps.  There was plenty to grab hold of and love in that atmosphere.  

The bookstore has always been a favorite date spot for me and Ghost Hunk as well.  Sometimes we would get a babysitter and head out for dinner and a movie, but inevitably dinner would run too long and we would miss the early showing.  If we had enough energy (and cash for the babysitter), we would just catch the later flick and spend the time in between at the bookstore.  Sometimes, the bookstore WAS the date.  We would wonder around together at first, sharing jacketflap blurbs and wishlists.  Then we would wander off into our own favorite nooks and get lost for a while.  Me in the YA section or the Paranormal stacks, Ghost hunk in the Graphic Novels or the Cultural Studies section.  When one of us found something exciting or had a sudden breakthrough, we would weave in and out of the shelves and bewildered or bemused patrons until we found the other and share our epiphany.  Ah...bonding over books.  Now that's a date!  I, more often than Ghost Hunk, would wonder around with an armful of books, vainly wishing I could buy them all, but one by one they found their place back on the shelf and the two of us would leave feeling wistful and refreshed.

My kids have been raised on four main literary food groups:  Picture books, Middle Grade, YA, and of course...creative bookstore merchandise.  I took them to story times where they cut their teeth on the likes of Eric Carle or Laura Numeroff or  Sandra Boynton (those are the ragged, spit-covered copies stuffed in the back—just warning you).  I've watched them graduate from mouthing chunky board books with their toothless little gums to recommending their favorite reads to hapless strangers in the book store as well as to their friends.  They learned patience and reverence for literature.  And we bonded, mother and child, teacher and student, philosopher and apprentice.

Yes, books are the key, but the house is where they live and where we thrive.  While I, like so many others, am captivated by the iPad and it's shiny new iBook store, I am also aware that a new model for the literary world is on the horizon.  And it is not necessarily a bad thing.  It's just inevitable change.  But is the romance of the book world, the sense of community, the awe-inspiring temple to ideas that is the physical book store on its way to extinction?  I don't know.  Perhaps the cyber café will take its place—vast palaces of caffeine and WiFi connections where people will gather and download ebooks.  It just seems so antiseptic, so isolated.  Will my tea and coffee taste the same in cyberspace?

A brave new world, indeed...

Tuesday, September 22, 2009

CANDOR is out!


I have to take a moment here to plug a friend. Pam Bachorz has a fabulous YA novel out and you absolutely must run out and get it!

Imagine a world where parents can have their teenagers brainwashed into being "perfect" children.

In the model community of Candor, Florida, every teen wants to be like Oscar Banks. The son of the town’s founder, Oscar earns straight As, is student-body president, and is in demand for every club and cause.
But Oscar has a secret. He knows that parents bring their teens to Candor to make them respectful, compliant–perfect–through subliminal Messages that carefully correct and control their behavior. And Oscar’s built a business sabotaging his father’s scheme with Messages of his own, getting his clients out before they’re turned. After all, who would ever suspect the perfect Oscar Banks?
Then he meets Nia, the girl he can’t stand to see changed. Saving Nia means losing her forever. Keeping her in Candor, Oscar risks exposure . . . and more. (publisher description)

Click on Pam's name to see the amazing trailer for this thrilling ride through CANDOR and learn more about the author!


Tuesday, August 11, 2009

Book Wisdom from an 8-year-old

If you are looking for recommendations for young readers, the Book Princess has just started a new blog.  Yes, she is 8 years old and she loves to read.  When she asked me to help her start her own web site for book reviews, how could I resist?

Wednesday, June 10, 2009

What Characters Live With You?

Yes, I have finally re-entered the blog-o-sphere, although my perspective may be a little shaky.  Please forgive me if I ramble a bit too much. 

With my own revision finally done, I actually had a chance to finish the fabulous book I had started before everything went pear-shaped.

If you haven't read THE GRAVEYARD BOOK yet, please run straight away to the nearest bookstore or library and grab this jewel. How could a boy named Nobody be so strong a character that he takes up permanent residence in my brain? Because Neil Gaiman crafted an amazing character in a brilliant setting with such a sublime mission. Yes, I gush. But this is one of those books.  And Nobody is one of those characters. 

Neil Gaiman makes it look so easy, but how does a character manage to transcend the page and haunt your thoughts for who-knows-how-long?  And who has done that for you?

First, what better mechanism for drawing on the reader's sympathy than opening your book with a prodigiously courageous infant in peril?  From the first meeting, we are drawn to Nobody in the most primal way.  Especially if you are a parent.  If you are kid, you can't help but admire this kid's tenacity and guts.  His loneliness haunts us, his hunger for knowledge tempts us, his evolution inspires us.  I think dear Bod will be with me for quite a while—most likely forever.

Second, what other characters stay with me?  Of course Harry Potter grabbed me from the start.  Again, I think the fact that I am a parent engendered a connection beyond what the intended audience would understand.  I wanted to protect him, to love him, to give him hope.  But of course, if I could, he wouldn't be Harry. 

Kit Tyler from THE WITCH OF BLACKBIRD POND was one of my favorites from my childhood.  I read that book...32 years ago (Yikes!)...and I still think of her.  She has spunk.  She has righteous indignation...and the courage to do something about it.  

Others that stay with me:  Ramona Quimby, Gooneybird Green, Gemma Doyle, Edward Tulane, Ann Fay Honeycutt,... just to name a few.

It's not just their strength or their boundless courage.  Quite the contrary.  It's their fallibility.  Their humanness.  

I am thinking about all this as I begin work on my next YA novel.  Already I'm living with my characters and learning about them, watching them grow into interesting and flawed young people.  I just hope I can right them as clearly as I feel them.  

What characters haunt you?

Tuesday, December 16, 2008

Cover Me


I can't help myself. As I'm dreaming of that big book contract that's just on the horizon (perhaps a belated Christmas present?), I've been noticing book covers and dreaming of what my own could be. The blue boards hosted a thread about covers, I think, and with Ghost Hunk home, I was able to have a chat with a real live person about the trend in book covers.

Is it true that YA/teen covers tend to be photographs, while MG covers are illustrated? So far, this truth seems to bare out. Mostly. But what do I want for my cover? Hmmm... (that's assuming I could even have any input—but this is my dream, right?)

Here's one of my favorites, which I just discovered today: It's brand new and surprisingly close in tone to my own book—Avi's The Seer of Shadows. I LOVE this cover. (And the book, too!) Now to be fair, the book is about a photographer, so that choice was sort of a given.

Then you have the alluring covers, like the Gemma Doyle trilogy that add a little sex appeal to the historical fantasy. A very different tone, here, but both books deal with historical settings and paranormal or fantastical elements. Libba Bray's book is definitely aimed at a slightly older, more feminine audience, while Avi's is less about the girl and more about the mystery.

What about those illustrated covers? Neil Gaiman's The Graveyard Book pumps up its own fantastical atmosphere with some fabulous art:
I love his writing, and the art on this cover certainly stays true to his sense of mystical, creepy, beautiful, dark fun. (sorry, I can't help but go all George Orwell with the adjectives.)


I guess part of the cover's job is to set the tone and reveal something about the story—and sell books, of course. Do you get a sense of these stories? I do.

Now, what about my own fabulous book, which has many interesting elements that could adorn the cover. I'm afraid a certain type of illustration will make it seem too campy, but the wrong photographic approach could make it more about the hunk on the cover than the cool ghost story inside. I definitely want the spook factor, but with the proper historical context. For now, I'll keep dreaming about holding that 2-pound piece of my soul when it is final bound and swaddled in its own magical artwork.

Wednesday, November 19, 2008

The Writer's Tool Box: Top 5 Reasons Why the Internet Belongs There


A few months ago, I discovered the fabulous playground known as Face Book. A place for friends to gather and buy each other cyber drinks, go green, and send a host of outrageous gifts back and forth. Aside from throwing the odd sheep now and then, I love to send and receive little treasures from the Writer's Toolbox—time to write, copy paper, a million fans, a book contract, an agent,... How fabulous is that?

And then I thought, there is one thing missing...the internet. Imagine the old days, those wonderfully romanticized images of Eric Blair huddled over his crappy desk in a dark hovel, alienating his wife and cutting himself off from all human contact so he can scratch out 1984 only to die completely broke and under-appreciated.  Okay, maybe not so hot.  Of course then you have Ernest Hemingway, always the life of the party, constantly trying to prove his manhood by running with the bulls and heading out to the high seas to hook a marlin...until he shoots himself in the head.    

Hmmmm...ya gotta wonder.

At least in the world of children's books, today's authors have a little more spunk and a stronger sense of life.  Maybe it's because we're closer to the font.  The source of youth and joie de vivre.  Or maybe it's the internet.

Let's start with the most practical reason why the internet should be in our Writer's Toolbox, and move toward the more metaphysical:

  • #5.  Research:  No matter what kind of book you write, whether it's historical fiction, fantasy, or the edgiest anthem to modern teen angst, you do research.  If you're old (like me), you might not be in touch with what an EMO is or get the latest fads or slang.  Hit the internet.   And even more practical, who's publishing your kind of stuff or representing it, or reading it?  The list is endless.
  • #4.  Speaking of queries:  Not only can you research the publishing industry and all its fabulous fodder, but you can submit via email or online forms.  Oooooh...and get the answers that much faster.  And even better, you can check your email 150 times a day in the privacy of your own home...no more skulking to the mailbox, out in the open, for all your non-writer neighbors to gawk at.
  • #3.  Distraction:  Hallelujah!  When you get that 247th rejection on your teenage vampire/spy/beauty queen novel, you can get lost in a variety of online games and other mindless distractions.  Of course this cuts both ways.  Instead of working through that writer's block in the middle of your 10th revision, you can waste time visiting 100 different blogs.  You might find inspiration...then again, you might find out that everyone else is having more fun than you—or not.  Best to set up a daily routine and limit the distractions (can you tell it's working for me?)
  • #2. Community:  Voila!  There it is.  THE BIG ONE.  This is the thing that keeps us from pulling the trigger.  We have FRIENDS.  Face book friends, LJ friends, Blue Board friends, Blogger friends,...  There is a whole world of human contact out there.  Okay, maybe not exactly human contact, but it's real and active and something we come to count on.  When your non-writer friends have no clue what a hook is or what a galley looks like or what the hell a good synopsis looks like, you have cyber friends.  People at all stages of their writing careers who are willing to show you their bloody wounds and battle scars.  They'll commiserate with you in your failures and celebrate like no one else in your successes.  And when you travel two states over for a conference, they'll even welcome you into their home, feed you, and haul you around even though they've never seen your face before.  Because the know you from the internet.  I know, that could sound a little creepy, but children's writers are a different breed.  They understand compassion, empathy, and good old cathartic key-banging.  I don't know what I would do without my connections (in case you missed it, that was a pun...okay, not a very good one, but...).  
So there it is.  The top reasons why the internet should be in any writer's toolbox.  Oh, wait!  One more?  That's right.  
  • #1.  Where to find Your Book!  Yep, the internet will have the Publisher's Marketplace announcement of your deal, your ecstatic declaration on the Blue Boards and on your blog, and the cover image on Amazon (shhhh...we still support the independent book sellers!).  




Friday, September 12, 2008

The Word is Out! (...and so is the book)

Ghost Hunk's book has hit the shelves.  Yes, you can now pick up a copy of The Porning of America by Carmine Sarracino and Kevin Scott at your local bookstore or on Amazon.   To get a look at their thesis, check out our hometown newspaper's interview here.  If you have children, especially young girls, this is a must read.  (Okay...I'm only a little biased here.)

Wednesday, February 27, 2008

Three New R's--Road trip for Research in Rochester!

Thanks to a fabulous writing/blog buddy (thanks Miss Recently Repped!), I have a place to stay as I ramp up my research for my next book. Who would have guessed that historical fiction would be my bag? Somehow, falling into the 1850s was just as natural as falling off my horse (well, easier--I've got a pretty good seat!)

While I hold my breath a little longer, waiting for word on my first historical fantasy, now in the most capable of editorial hands, I am finally kicking up the energy to explore my next tale of historical spooks. Maggie Fox made a brief appearance in that worthy tome, so now I'm considering giving her the spotlight for a bit, and it's down to digging up details. I've read a lot about the Fox sisters and looked up maps and information about Rochester and spent a lot of time on WorldCat trying to locate some primary and secondary sources, but I really need to go spend some time there, soak in the city.

Another big thanks to Nancy Rubin Stuart whose fabulous book and generous guidance gave me a little more insight into where to take my next step. I'm still floundering a bit as to exactly where the plot will go and from whence it will begin, but it will come. All it takes is a word or a phrase or some whisper of an idea. Who knows, maybe the ghosts of Kate and Maggie Fox will pay me a visit while I'm there!

The best news is, I'll be writing again!

Monday, July 23, 2007

Can We Say Productive?

What a weekend! So, I collected my sacred copy of HARRY POTTER AND THE DEATHLY HALLOWS at Midnight on Friday, immediately read 100 pages before hitting the sack. Got up early on Saturday and drove to my DH's office at the college to get some quality quiet so I could finish the last chapter of my own WIP and totally revamp my synopsis. Achieved that goal. (Wahoo!) Returned home in time to take the family out for some Mexican dinner (no cooking for me!). Read a couple of chapters of HP to my son before immersing myself in the rest of it while he dreamed little dreams of broomsticks and horcruxes.

Woke up on Sunday and started reading, taking a break to finalize the synopsis and email it and the first chapter back to the contest. DH took care of dinner (What a guy! Brought me tea and bickies, too!)

1:00am--FINISHED HARRY POTTER!

Thank you Jo Rowling. I am satisfied and sufficiently gratified.

So what did everyone else do this weekend?

Tuesday, July 17, 2007

Harry Potter and the Secret of the Hopeful E-Mail...

So Friday should reveal a couple of nagging secrets that have haunted my dreams for the last 2 weeks! Yes, I will be in line at midnight to collect my pre-ordered copy of HARRY POTTER AND THE DEATHLY HALLOWS. But before I march out into the darkness, I hope to have news of the YAFiction contest. We just got the post that the decision will be made and announced on Friday, July 20th. A few more days to hold my breath. In the meantime, I had a fabulous weekend with my revisions and am now standing on the threshold of true completion--well, at least of this draft! I am hoping to squeak out some time over the next couple of days to finish it up. Then I'll be truly ready for whatever comes next. Keep those fingers crossed just a little bit longer!

Friday, June 01, 2007

The Martian Chronicle...

A couple of weeks ago, I blogged about the fabulous book
Mars Needs Moms
by Berkeley Breathed
Shortly after that, Mr. Breathed gave an interview on NPR
and has been soundly assailed by a host of children's writers on a poplular and beloved discussion board. The primary points of criticism:

1) He bragged that he knew nothing about children's books and wrote this with ease.
2) He is a celebrity trading only on his celebrity status.
3) He claims that his idea is thoroughly original but it's not.
4) His story is too dark and meant for an adult audience.

I understand that many of us who write for children are protective of our craft and offended whenever someone who writes for adults, or who wishes to, proclaims that writing for children is easy, so perhaps they'll start with that or maybe they'll take a break from writing heady, intellectual adult stuff and write some kid fluff. As we all know, that is a huge fallacy, and my own students discovered that last semester in their Writing Children's Literature course. HOWEVER, If you listen to Mr. Breathed's interview, you will find that he was not dissing us at all.

On the first point: He found something that came more naturally to him than he expected. He began with the art and let the story unfold for him. Somepeople see in pictures first. He worked from what many of us do...his memory of childhood and his experience with his own kids.

Second: Berkeley Breathed is a Pulitzer Prize-winning artist/writer. He's not some dizzy rock diva or movie star or dope injected athelete. His celebrity, whatever that may be, stems from his talent as a writer and an artist. Yes, his work was political satire, but ironically set through the eyes of children.

Third: He did not claim that his idea had never been explored before. He said it was "an area that had not yet been wholly explored." Many Picture Books stop short of entering the darkness and exploring deeper consequences, the darker implications of life and love. Mr. Breathed was committed to the idea that he wanted to face that question head on..."would a mother really die for her child?" The answer is yes. Of course he's not going to kill her off, but he takes it to the brink, answers the question, and then offers something wonderful: growth and understanding for the child. The child comes to understand on a deeper level the committment that "bellowing broccoli bully" has for her child. She loves him beyond measure, and he loves her, too. Mr. Breathed left his publisher of 25 years over this point because it was the crux of his story. I applaud his artistic integrity.

Which leads to the fourth complaint: There is some truth in the claim that adults will be drawn to this book for their own grown-up reasons. And yes, the climax is dark and threatening. But the language, the art, the rhythm of the story is a treat for young eyes and ears. The ending is thoroughly satisfying as a happy ending. Some kids may not be ready for a dark confrontation such as this, but many are. My two children were ready, and they love this book.


So...I hope that more people will check out this book and listen to the interview with a discerning ear before they pass judgement. I do despise people who make the lame assumption that anything designed for children is by definition easier to create. We all know how much work it is raising our children. Why would creating stories for them be any easier? But writers often work in different ways, crafting their stories from different angles, starting at completely different points in the process, exploring the same themes and plots with a different eye. We must not become self-righteous in our dedication to our craft.

'Nuff said.

Monday, March 05, 2007

The Latest Craziness on Scrotums and the Periodic Table!

Well, it just keeps coming...But thank Petunia that Susan Patron has an impeccable sense of reason and a clear voice as well as a marvelously creative talent with pen and paper. She has responded to the ridiculous attacks concerning the infamous "scrotum." Read it here

All I can say is I'm glad we have librarians like her keeping the doors of our freedom and the minds of our children open. How uptight and Victorian can people be in the 21st century?

On the lighter side...A wonderfully inventive nonfiction book has been launched. Check it out

I haven't seen the hard copy, yet, but my students are working on nonfiction for children right now, and this looks like a fabulous example of innovation and kid appeal.

So many people assume that nonfiction is the "non-creative" form of children's lit. I've taken a stab at it, myself, and believe me, good nonfiction draws most on a writer's creativity. Find an angle; give the subject life; define a character in terms of his actions and statements rather than just list his credits. Not all nonfiction can get wacky, nor should it, but those little nuggets of nuttiness can show a kid that real life is fun, too!